Investigate Character Relationships

  • Katherina

    Katherina is the eldest daughter of Baptista Minola. She has a reputation for rude and aggressive behaviour. Her father wants her to marry, but is struggling to find a husband for her.

    Facts we learn about Katherina at the start of the play

    • She is unmarried and has no suitors.
    • She has a reputation as 'Kate the Curst'.

    Things they say:

    ‘Shall I be appointed hours, as though, belike, / I knew not what to take and what to leave?’ (Katherina, 1:1)

    Katherina is independent and does not want anyone to control her.

    ‘If I be waspish, best beware my sting’ (Katherina, 2:1)

    Katherina is quick-witted and turns Petruchio’s words against him.

    ‘My mind hath been as big as one of yours, / My heart as great, my reason haply more, / To bandy word for word and frown for frown. / But now I see our lances are but straws…’ (Katherina, 5:2)

    Katherina notes that whilst her passion and desire to be equal is great, that her fight against men will not win out.

    Things others say about them:

    She ‘began to scold and raise up such a storm / That mortal ears might hardly endure the din’ (Tranio, 1:1)

    Katherina is very vocal and loud in her anger. In Tranio's eyes, the noise and scale of her aggression is superhuman.

    'I think she’ll sooner prove a soldier; Iron may hold with her but never lutes’ (Hortensio, 2:1)

    Katherina is violent and strong. Hortensio remarks that only iron shackles would be able to stand up to her.

    'That being mad herself, she’s madly mated.’ (Bianca, 3:1

    Katherina defies social norms, and Bianca feels that she has found an equal match in Petruchio.

  • Petruchio

    Petruchio is a wealthy gentleman from Verona, who is looking for a wife. Upon hearing about Katherina and her temperament, he decides he will take on the challenge of marrying her.

    Facts we learn about Petruchio at the start of the play:

    • He has a servant called Grumio.
    • His father Antonio has recently died.
    • He is good friends with Hortensio.

    Things they say:

    ‘You knew my father well, and in him me, / Left solely heir to all his lands and goods, / Which I have bettered rather than decreased.’ (Petruchio 2:1)

    Petruchio is a rich man, who has not only inherited his father’s estate but worked hard to increase his wealth. He benefits from his father’s good reputation.

    'I am as peremptory as she proud minded, / And where two raging fires meet together / They do consume the thing that feeds their fury.’ (Petruchio, 2:1)

    Petruchio sees himself as an equal match for Katherina and that they balance each other.

    'I have politically begun my reign, / And tis my hope to end successfully. / My falcon now is sharp and empty passing’ (Petruchio, 4:1)

    Petruchio is dominant and sees his marriage with Katherina as a battle that he must tactically win. He uses the image of training a bird of prey to obey his commands by restricting its food.

    Things others say about them:

    'An she knew him as well as I do, she would know scolding would do little good upon him' (Grumio, 1:1)

    Petruchio is unfazed by those who disagree with him. Grumio suggests that he and/or others have tried many times to address his master's behaviours and habits but has not succeeded.

    'One half lunatic, / A madcap ruffian and a swearing Jack / That thinks with oaths to face the matter out’ (Katherina, 2:1)

    To Katherina, Petruchio seems impulsive, reckless and uses offensive language to get his way.

    'Though he be blunt, I know him passing wise; / Though he be merry, yet withal he’s honest.’ (Tranio, 3:2)

    Tranio believes there is more to Petruchio than meets the eye. He thinks Petruchio has a plan behind his mad behaviour and that there is a logic to his actions which will contribute to his ‘taming’ of Katherina.

  • Bianca

    Bianca is the youngest daughter of Baptista Minola. She has three suitors who want to marry her; Gremio, Hortensio and Lucentio.

    Facts we learn about Bianca at the start of the play:

    • She is unmarried and has two suitors that her father knows about.
    • She has an older sister called Katherina.
    • Until Katherina is married, her father will keep her in the house and not allow her to marry.
    • She enjoys reading and learning music.

    Things they say:

    ‘My books and instruments shall be my company’ (Bianca, 1:1)

    Bianca says she is interested in learning and conscientious in her studies.

    'So well I know my duty to my elders’ (Bianca, 2:1)

    Bianca says she knows her place within the hierarchy of this society, although her attitude towards her older sister is questionable.

    ‘I am no breeching scholar in the schools: / I’ll not be tied to hours nor pointed times / But learn my lessons I please myself’ (Bianca, 3:1)

    Bianca does not want to be bossed around or controlled by her teachers. She wants to learn on her own terms.

    Things others say about them:

    ‘In the other’s silence I do see / Maids' mild behaviour and sobriety’ (Lucentio, 1:1)

    Bianca is seems quiet in comparison to her sister Katherina. She is admired for her meek and serious nature.

    'She’s apt to learn and thankful for good turns’ (Baptista, 2:1)

    Bianca’s father believes that she studies hard and is grateful for the tuition her teachers give her.

    ‘A pretty peat. It is best to put finger in the eye, an she knew why.’ (Katherina, 1:1)

    Bianca is protected and favoured by Baptista. Katherina mocks her for being an obedient ‘pet’ and suggests Bianca can be emotionally manipulative by being able to cry at will.

  • Lucentio

    Lucentio is a young man from Pisa, who has travelled to Padua to study at the university there. He wants to marry Bianca.

    Facts we learn about Lucentio at the start of the play:

    • His father is called Vincentio.
    • He has two servants called Tranio and Biondello. He is supported by his father in his studies.

    Things they say:

    'By my father’s love and leave am armed / With his good will and thy good company’ (Lucentio, 1:1)

    Lucentio has been supported by his father Vincentio to continue his studies as the famous university in Padua. He feels confident in his father’s love.

    'Virtue and that part of philosophy / Will I apply that treats of happiness / By virtue specially to be achieved.’ (Lucentio, 1:1)

    Lucentio has noble aims to study hard and devote himself to a good, studious life.

    ‘I’ll have no halves; I’ll bear it all myself.’ (Lucentio, 5:5)

    Lucentio is confident in Bianca’s love and obedience to him. He is so sure that he refuses Baptista’s offer to split the wager in the bet.

    Things others say about them:

    'I am content to be Lucentio, / Because so well I love Lucentio’ (Tranio, 1:1)

    Lucentio is well-loved by Tranio, not just as a servant but as a friend.

    'I know you not; hic est Sigiea tells, I trust you not’ (Bianca, 3:1)

    Lucentio is cunning in his disguise and infiltration of Baptista’s house in order to get close to Bianca. She is wary of him at first.

    'While I play the good husband at home, my son and my servant spend all at the university’. (Vincentio, 5:1)

    Vincentio is concerned that Lucentio is not financially responsible.

  • Tranio

    Tranio is Lucentio’s servant and has travelled with him from Pisa to Padua to study at the university.

    Facts we learn about Tranio at the start of the play:

    • He was brought up in Vincentio’s household from the age of three.
    • He is very close to Lucentio and treated more like a friend than a servant.

    Things they say:

    ‘Let’s be no stoics nor no stocks, I pray.’ (Tranio, 1:1)

    Tranio prioritises fun. He encourages Lucentio to enjoy himself alongside his studying.

    'I have faced it with a card of ten.’ (Tranio, 2:1)

    Tranio is a cunning trickster. He manages to fool Baptista and Gremio and win Bianca’s hand in marriage for Lucentio.

    'Lucentio slipped me like his greyhound, Which runs himself and catches for his master.’ (Tranio, 5:2)

    Tranio is a loyal and faithful friend to Lucentio. He compares himself to a hunting dog which tracks and catches prey for his master, not for himself.

    Things others say about them:

    ‘My trusty servant, well approved in all.’ (Lucentio, 1:1)

    Tranio has proven himself to be reliable to Lucentio. He is well respected and treated with a friendship that goes beyond a usual servant-master relationship.

    ‘I’ll slit the villain’s nose that would have sent me to the jail.’ (Vincentio, 5:1)

    Tranio is willing to take his trickery to extremes in order to ensure Lucentio’s success in marrying Bianca.

    'I thank thee for that gird, good Tranio.’ (Lucentio, 5:2)

    Tranio is quick witted, clever and sharp. He pokes fun at those who are of a higher social class than him.

  • Baptista

    Baptista Minola is a wealthy man in Padua. He has two daughters, Katherina and Bianca. Although Bianca has potential suitors, he will not allow her to marry until Katherina has a husband. He views marriage as a financial and legal transaction which must be negotiated.

    Facts we learn about Baptista at the start of the play:

    • We do not know anything about the mother of Katherina and Bianca. It is presumed that Baptista is a widower.
    • He has known Gremio and Hortensio for some time and likes them well.
    • He struggles to control Katherina.

    Things they say:

    ‘For to cunning men / I will be kind, and liberal / To mine own children in good bringing up’ (Baptista 1:1)

    Baptista respects and values education. He thinks it an important part of his daughters’ upbringing.

    'Was ever gentleman thus grieved as I?’ (Baptista, 2:1)

    Baptista feels self pity about his disobedient and wilful daughter Katherina.

    ‘Not in my house, Lucentio, for you know / Pitchers have ears, and I have many servants’ (Baptista, 4:4)

    Baptista is cautious and suspicious. He does not trust his household to keep secret the agreement of marriage between Lucentio and Bianca.

    Things others say about them:

    ‘Her father is Baptista Minola, / An affable and courteous gentleman’ (Hortensio, 1:2)

    Baptista is well liked in Padua for his friendly and pleasant manner.

    'You have showed a tender fatherly regard / To wish me wed to one half lunatic’ (Katherina, 2:1)

    Baptista has different attitudes to both of his daughters. Katherina feels that he does not treat her in a caring, dutiful way.

    'The narrow prying father Minola’ (Tranio, 3:2)

    Baptista is overly protective of his daughter Bianca and keeps a close eye on her.

  • Hortensio

    Hortensio is friends with both Baptista and Petruchio. He is a suitor to Bianca and would like to marry her.

    Facts we learn about Hortensio at the start of the play:

    • He has asked to marry Bianca.
    • He has experience of Katherina’s 'unruly' behaviour.

    Things they say:

    'Were my state far worser than it is, / I would not wed her for a mine of gold.’ (Hortensio, 1:2)

    Hortensio has money and a good estate, though he is not as wealthy as Gremio. He says that no amount of riches would persuade him to marry Katherina.

    'Kindness in women, not their beauteous looks / Shall win my love’ (Hortensio, 4:2)

    Hortensio seeks a loving, kind relationship with his wife. When he sees that Bianca is more interested in ‘Cambio’, he decides to instead marry a wealthy widow.

    ‘Have to my widow, and if she be froward, / Then hast thou taught Hortensio to be untoward.’ (Hortensio, 5:1)

    Hortensio admires the way Petruchio has ‘tamed’ Katherina. He takes this as inspiration for dealing with future problems in his relationship.

    Things others say about them:

    'I know you well and love you well.’ (Baptista, 1:1)

    Hortensio is good friends with Baptista. They are of a similar social class and have known each other for a long time.

    'My best-beloved and approved friend.’ (Petruchio, 1:2)

    Hortensio has proved himself a reliable friend to Petruchio. Despite living in different towns, they maintain a strong friendship.

    'Now, for my life, Hortensio fears his widow.' (Petruchio, 5:2)

    Hortensio wants to please his wife, rather than have her serve him. Petruchio suggests that this is because he is afraid of her.

  • Gremio

    Gremio is an old man and a friend of Baptista. He is a suitor to Bianca and would like to marry her.

    Facts we learn about Gremio at the start of the play:

    • He has asked to marry Bianca.
    • He has experience of Katherina’s 'unruly' behaviour.
    • He is older than Hortensio.

    Things they say:

    ‘I am your neighbour and was suitor first.’ (Gremio, 2:1)

    Gremio is good friends with Baptista and feels he has a strong case for his marriage proposal. He is local to the area and has loved Bianca for a long time.

    'My house within the city / Is richly furnished with plate and gold.’ (Gremio, 2:1)

    Gremio is very rich and, although he is old, he promises Bianca a good fortune if he dies.

    'My cake is dough, but I’ll in among the rest.' (Gremio, 5:1)

    Gremio is affable. Although he is disappointed that his pursuit of Bianca has failed, he is happy to celebrate the marriage at the feast.

    Things others say about them:

    ‘Belike you fancy riches more: You will have Gremio to keep you fair’ (Katherina, 2:1)

    Gremio is wealthier than Hortensio. He has a good house and could offer Bianca a wealthy and comfortable life.

    'Greybeard, thy love doth freeze.’ (Tranio, 2:1)

    Gremio is old and has greying hair. Train implies that he is too old for Bianca to be interested in as a husband.

    'The old pantaloon.’ (Lucentio, 3:1)

    Gremio is a comic figure.

  • Grumio

    Grumio is Petruchio’s servant and has travelled with him from Verona to Padua.

    Facts we learn about Grumio at the start of the play:

    • He lives in Verona in Petruchio’s household.
    • He has worked for Petruchio for a long time.

    Things they say:

    'If this be not lawful cause for me to leave his service.’ (Grumio, 1:2)

    Grumio is long-suffering. He complains that he is badly, and madly, treated by his master.

    ‘Now were I not a little pot and soon hot…’ (Grumio, 4:1)

    Grumio is small. He says that one benefit of a small frame is that, when it is cold, he is quickly warm again.

    ‘How he beat me because her horse stumbled’ (Grumio, 4:1)

    Grumio is physically beaten by Petruchio for disobedience. We both see this onstage and hear about it.

    Things others say about them:

    'Your ancient, trusty, pleasant servant Grumio.' (Hortensio, 1:2)

    Grumio has served Petruchio well for a long time. He is well known to Petruchio’s old friend Hortensio who defends him against Petruchio’s anger.

    ‘A senseless villain.’ (Petruchio, 1:2)

    Grumio is either not very clever. or quite cheeky. He takes things very literally, sometimes becoming confused or disobeying his master.

    'You are so full of cony-catching.’ (Curtis, 2:1)

    Grumio is a joker and a trickster. He is teased by another servant because he will not answer questions directly.

Explore their relationships

Katherina

  • Katherina - Petruchio

    Petruchio wants to marry Katherina, but she warns him to beware her waspish sting.

    ‘I am he born to tame you, Kate, / And bring you from a wild Kate to a Kate / Conformable as other household Kates.' (Petruchio, 2:1)

    Petruchio and Katherina marry, but neither seem content. Katherina becomes distressed as Petruchio displays odd behaviour at their wedding.

    ‘Such a mad marriage never was before.’ (Gremio, 3:1)

    Katherina is tormented by Petruchio as he denies her food, sleep and nice clothes, but says he does it in her best interests.

    ‘She, poor soul, / Knows not which way to stand, to look, to speak’ (Curtis, 4:1)

    Katherina becomes obedient to Petruchio, giving into his strange demands. He makes her question her own mind. However, it could also be interpreted that they grow closer and find a similar spirit in each other. Shakespeare offers lots of lines that suggest a kind of love between their characters.

    ‘Pardon, I pray, for my mad mistaking.’ (Katherina, 4:5))
    Petruchio says “If thou encounterest shame, lay it on me'.)

    Katherina has submitted to Petruchio’s wishes. When he calls for her, she comes to him without question.

    ‘My hand is ready, may it do him ease’ (Katherina, 5:2)

  • Katherina - Baptista

    Baptista feels unable to control his daughter Katherina. He cannot find a husband for her and struggles when she bullies her sister Bianca.

    ‘Was ever gentleman thus grieved as I?’ (Baptista, 2:1)

    Baptista secures a marriage for Katherina. He wants Petruchio to win Katherina’s love before he agrees to the marriage but chooses to believe Petruchio rather than Katherina that she is happy.

    ‘Ay, when the special thing is well obtained - / That is, her love, for that is all in all.’ (Baptista, 2:1)

    Baptista is shocked by Petruchio’s lateness and outrageous clothes at the wedding, leaving Katherina alone at the alter and Baptista’s family reputation in question. When Petruchio does arrive, Baptista is happy to let them go.

    Baptista says

    'What will be said? What mockery will it be...What says Lucentio to this shame of ours?'
    ‘Nay, let them go - a couple of quiet ones.’ (3:2)

    Seeing the change in Katherina’s behaviour, Baptista gives Petruchio more dowry money as a reward.

    ‘Another dowry to another daughter, / For she is changed as she had never been.’ (Baptista, 5:2)

Petruchio

  • Petruchio - Katherina

    Petruchio wants to marry Katherina, but she warns him to beware her waspish sting.

    ‘I am he born to tame you, Kate, / And bring you from a wild Kate to a Kate / Conformable as other household Kates.' (Petruchio, 2:1)

    Petruchio and Katherina marry, but neither seem content. Katherina becomes distressed as Petruchio displays odd behaviour at their wedding.

    ‘Such a mad marriage never was before.’ (Gremio, 3:1)

    Katherina is tormented by Petruchio as he denies her food, sleep and nice clothes, but says he does it in her best interests.

    ‘She, poor soul, / Knows not which way to stand, to look, to speak’ (Curtis, 4:1)

    Katherina becomes obedient to Petruchio, giving into his strange demands. He makes her question her own mind. However, it could also be interpreted that they grow closer and find a similar spirit in each other. Shakespeare offers lots of lines that suggest a kind of love between their characters.

    ‘Pardon, I pray, for my mad mistaking.’ (Katherina, 4:5))
    Petruchio says “If thou encounterest shame, lay it on me'.)

    Katherina has submitted to Petruchio’s wishes. When he calls for her, she comes to him without question.

    ‘My hand is ready, may it do him ease’ (Katherina, 5:2)

  • Petruchio - Grumio

    Grumio frustrates Petruchio by not doing as his master wishes. Petruchio uses violence towards his servant.

    ‘Now knock when I bid you, sirrah villain.’ (Petruchio, 1:2)

    Grumio assists with Petruchio’s taming plan by continuing to deny Katherina any food when she asks for it.

    ‘Sorrow on thee and all the pack of you / That triumph thus upon my misery.’ (Grumio, 4:3)

Bianca

  • Bianca - Lucentio

    Lucentio falls in love with Bianca within moments from seeing her from afar, however he is thwarted by her father’s decision that she cannot marry until Katherina marries.

    ‘I perish, Tranio, If I achieve not this young modest girl.’ (Lucentio, 1:1)

    Bianca is wary of Lucentio but interested in him when he reveals his true identity. She does not know if he is trustworthy.

    ‘I trust you not; hic steterat Priami, take head he hear us not; regia, presume not; celsa sensi, despair not.’ (Bianca, 3:1)

    Bianca and Lucentio fall in love and elope to a nearby church to marry.

    ‘I read that I profess, The Art of Love.’/ ‘And may you prove, sir, master of your art.’ (Lucentio/Bianca, 4:2)

    Lucentio and Bianca differ in their opinions of power within their relationship. He expects her to come to him when he demands it, but she does not.

    ‘The more fool you for laying on my duty’ (Bianca, 5:5)

  • Bianca - Hortensio

    Hortensio has asked Baptista if he can marry Bianca, however Baptista will not allow her to marry until Katherina has a husband.

    ‘Signor Baptista, will you be so strange?’ (Hortensio, 1:1)

    Hortensio reveals his true identity to Bianca, but she is more interested in Lucentio.

    ‘Call you this gamut? Tut, I like it not.’ (Bianca, 3:1)

    Hortensio gives up on Bianca and marries a wealthy widow.

    ‘I firmly vow never to woo her more, but do forswear her / As one unworthy all the former favours / That I have fondly flattered her withal.’ (Hortensio, 4:2)

  • Bianca - Gremio

    Grammy has asked Baptista if he can marry Bianca, however Baptista will not allow her to marry until Katherina has a husband.

    ‘Will you mew her up, Signor Baptista, for this fiend of hell?’ (Gremio, 1:1)

    Gremio is Baptista’s second choice as husband for Bianca as ‘Lucentio’ can offer more money. Bianca shows no interest in him at all.

    ‘Nay, I have offered all. I have no more, / And she can have no more than all I have.’ (Gremio, 2:1)

  • Bianca - Baptista

    Baptista will not allow Bianca to marry until Katherina has a husband. Bianca obediently accepts his decree.

    ‘Sir, to your pleasure humbly I subscribe: / My books and instruments shall be my company.’ (Bianca, 1:1)

    Bianca elopes and marries Lucentio in secret, without Baptista’s permission.

    ‘Have you married my daughter without asking my good will?’ (Act 5 Scene 1)

    Baptista is so sure of his daughter’s dutiful nature that he offers to give Lucentio half the money to bet on Bianca’s obedience, but Bianca refuses to come to her husband when she is called.

    ‘Son, I’ll be your half Bianca comes.’ (Baptista, 5:2)

Lucentio

  • Lucentio - Bianca

    Lucentio falls in love with Bianca within moments from seeing her from afar, however he is thwarted by her father’s decision that she cannot marry until Katherina marries.

    ‘I perish, Tranio, If I achieve not this young modest girl.’ (Lucentio, 1:1)

    Bianca is wary of Lucentio but interested in him when he reveals his true identity. She does not know if he is trustworthy.

    ‘I trust you not; hic steterat Priami, take head he hear us not; regia, presume not; celsa sensi, despair not.’ (Bianca, 3:1)

    Bianca and Lucentio fall in love and elope to a nearby church to marry.

    ‘I read that I profess, The Art of Love.’/ ‘And may you prove, sir, master of your art.’ (Lucentio/Bianca, 4:2)

    Lucentio and Bianca differ in their opinions of power within their relationship. He expects her to come to him when he demands it, but she does not.

    ‘The more fool you for laying on my duty’ (Bianca, 5:5)

  • Lucentio - Tranio

    Tranio is very obedient to his master Lucentio and offers to help him in any way he can to win Bianca’s heart. Lucentio disguises himself as a lower status schoolteacher and Tranio as his higher status master.

    ‘I am content to be Lucentio, / Because so well I love Lucentio.’ (Lucentio, 1:1)

    Tranio, who is now disguised as Lucentio, takes control of the plan. He defeats Gremio by offering a greater amount of wealth; he convinces Hortensio to marry the widow; and he asks the merchant to pretend to be Vincentio.

    ‘We’ll overreach the greybeard Gremio, / The narrow-prying father Minolta, / The quaint musician, amorous Licio, / All for my master’s sake, Lucentio.’ (Tranio, 3:2)

    Tranio arranges everything to allow Lucentio and Bianca to elope. Lucentio follows Tranio’s plan exactly.

    ‘Hap what hap may, I’ll roundly go about her.’ (Lucentio, 4:4)

    Tranio creates chaos when Vincentio, Lucentio’s father, arrives in Padua. Whilst still in his disguise as Lucentio, he calls for an officer to arrest Vincentio.

    ‘Carry this mad knave to the jail. Father Baptista, I charge you see that he be forthccoming.’ (Tranio, 5:1)

    Lucentio explains everything and they are all reconciled.

Tranio

  • Tranio - Lucentio

    Tranio is very obedient to his master Lucentio and offers to help him in any way he can to win Bianca’s heart. Lucentio disguises himself as a lower status schoolteacher and Tranio as his higher status master.

    ‘I am content to be Lucentio, / Because so well I love Lucentio.’ (Lucentio, 1:1)

    Tranio, who is now disguised as Lucentio, takes control of the plan. He defeats Gremio by offering a greater amount of wealth; he convinces Hortensio to marry the widow; and he asks the merchant to pretend to be Vincentio.

    ‘We’ll overreach the greybeard Gremio, / The narrow-prying father Minolta, / The quaint musician, amorous Licio, / All for my master’s sake, Lucentio.’ (Tranio, 3:2)

    Tranio arranges everything to allow Lucentio and Bianca to elope. Lucentio follows Tranio’s plan exactly.

    ‘Hap what hap may, I’ll roundly go about her.’ (Lucentio, 4:4)

    Tranio creates chaos when Vincentio, Lucentio’s father, arrives in Padua. Whilst still in his disguise as Lucentio, he calls for an officer to arrest Vincentio.

    ‘Carry this mad knave to the jail. Father Baptista, I charge you see that he be forthccoming.’ (Tranio, 5:1)

    Lucentio explains everything and they are all reconciled.

Baptista

  • Baptista - Katherina

    Baptista feels unable to control his daughter Katherina. He cannot find a husband for her and struggles when she bullies her sister Bianca.

    ‘Was ever gentleman thus grieved as I?’ (Baptista, 2:1)

    Baptista secures a marriage for Katherina. He wants Petruchio to win Katherina’s love before he agrees to the marriage but chooses to believe Petruchio rather than Katherina that she is happy.

    ‘Ay, when the special thing is well obtained - / That is, her love, for that is all in all.’ (Baptista, 2:1)

    Baptista is shocked by Petruchio’s lateness and outrageous clothes at the wedding, leaving Katherina alone at the alter and Baptista’s family reputation in question. When Petruchio does arrive, Baptista is happy to let them go.

    Baptista says

    'What will be said? What mockery will it be...What says Lucentio to this shame of ours?'
    ‘Nay, let them go - a couple of quiet ones.’ (3:2)

    Seeing the change in Katherina’s behaviour, Baptista gives Petruchio more dowry money as a reward.

    ‘Another dowry to another daughter, / For she is changed as she had never been.’ (Baptista, 5:2)
  • Baptista - Bianca

    Baptista will not allow Bianca to marry until Katherina has a husband. Bianca obediently accepts his decree.

    ‘Sir, to your pleasure humbly I subscribe: / My books and instruments shall be my company.’ (Bianca, 1:1)

    Bianca elopes and marries Lucentio in secret, without Baptista’s permission.

    ‘Have you married my daughter without asking my good will?’ (Act 5 Scene 1)

    Baptista is so sure of his daughter’s dutiful nature that he offers to give Lucentio half the money to bet on Bianca’s obedience, but Bianca refuses to come to her husband when she is called.

    ‘Son, I’ll be your half Bianca comes.’ (Baptista, 5:2)

Hortensio

  • Hortensio - Bianca

    Hortensio has asked Baptista if he can marry Bianca, however Baptista will not allow her to marry until Katherina has a husband.

    ‘Signor Baptista, will you be so strange?’ (Hortensio, 1:1)

    Hortensio reveals his true identity to Bianca, but she is more interested in Lucentio.

    ‘Call you this gamut? Tut, I like it not.’ (Bianca, 3:1)

    Hortensio gives up on Bianca and marries a wealthy widow.

    ‘I firmly vow never to woo her more, but do forswear her / As one unworthy all the former favours / That I have fondly flattered her withal.’ (Hortensio, 4:2)

Gremio

  • Gremio - Bianca

    Grammy has asked Baptista if he can marry Bianca, however Baptista will not allow her to marry until Katherina has a husband.

    ‘Will you mew her up, Signor Baptista, for this fiend of hell?’ (Gremio, 1:1)

    Gremio is Baptista’s second choice as husband for Bianca as ‘Lucentio’ can offer more money. Bianca shows no interest in him at all.

    ‘Nay, I have offered all. I have no more, / And she can have no more than all I have.’ (Gremio, 2:1)

Grumio

  • Grumio - Petruchio

    Grumio frustrates Petruchio by not doing as his master wishes. Petruchio uses violence towards his servant.

    ‘Now knock when I bid you, sirrah villain.’ (Petruchio, 1:2)

    Grumio assists with Petruchio’s taming plan by continuing to deny Katherina any food when she asks for it.

    ‘Sorrow on thee and all the pack of you / That triumph thus upon my misery.’ (Grumio, 4:3)

Teacher Notes

On this page students can arrange the characters on the screen, showing the connections between the characters and their relationships. They can then print this using the button on the page and label them with their own quotes.

The following activities are great ways to introduce the characters in more detail, looking at who is who in the play and who they might support and why.

Discovering the Characters (2017)

The activity can be found on pages 3 and 4 and takes approximately 30 minutes.

Line of Approval (2012)

The activity can be found on page 7 and takes approximately 30 minutes depending on how many characters you look at.

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