Investigate Character Relationships

  • Portia

    Portia is a wealthy heiress who lives in Belmont. Her father has died and in his will wrote that anyone wanting to marry his daughter must succeed in a specially designed challenge. Suitors have to choose between three caskets (either gold, silver or lead), guessing which one holds Portia’s portrait. Portia is not at all keen on most of the men who have tried to win her, however she does fall in love with Bassanio. Ultimately she plays an essential role in ensuring that Antonio’s life is saved, as she prevents Shylock from claiming his ‘pound of flesh’.

    Facts we learn about Portia at the start of the play:

    • She lives in Belmont.
    • Her father has died.
    • She is considered to be very beautiful by lots of men.
    • She is unable to choose her own husband.

    Things they say:

    ‘My little body is aweary of this great world.’ (Portia, 1:2)

    At the start of the play Portia feels overwhelmed by her current situation.

    ‘An unlessoned girl, unschooled, unpractised.’ ‘She is not bred so dull but she can learn.’ (Portia, 3:2)

    Portia considers herself to be says she is uneducated and inexperienced, but with great potential to learn.

    ‘I could teach you how to choose right but then I am forsworn. So will I never be.’ (Portia, 3:2)

    Although Portia is tempted to help Bassanio choose the correct casket, she is determined to remain loyal to the terms of her father’s will.

    ‘I have within my mind/A thousand raw tricks of these bragging jacks/Which I will practise.’ (Portia, 3:4)

    Portia is full of ideas about what she will do when she goes to Venice dressed as a man.

    Things others say about them:

    ‘Nor is the wide world ignorant of her worth.’ (Bassanio, 1:1)

    Portia is famous for her beauty and wealth. If Portia’s beauty is highlighted by other characters, we need a stronger example.

    'You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are.’ (Nerissa, 1:2)

    Nerissa, Portia’s waiting woman thinks Portia has far more good luck than bad!

    ‘Thrice fair lady […] you have bereft me of all words.’ (Bassanio, 3:2)

    Bassanio is overwhelmed by his love for Portia.

    ‘You have a noble and a true conceit/Of godlike amity.’ (Lorenzo, 3:4)

    Lorenzo considers Portia to be almost goddess-like in her goodness.

  • Bassanio

    Bassanio is a young Venetian gentleman who is a close friend of Antonio’s and in love with Portia. In order to woo Portia he needs money and so asks Antonio for a loan. It is this request which results in Antonio becoming ‘bound’ to Shylock and in danger of losing his life.

    Facts we learn about Bassanio at the start of the play:

    • He is a scholar and a soldier.
    • He is a close friend of Antonio’s.
    • Bassanio has lost his own wealth.
    • He needs money to go to Belmont and woo Portia.

    Things they say:

    ‘I owe you much, and like a wilful youth/That which I owe is lost.’ (Bassanio, 1:1)

    Bassanio is unable to repay for Antonio previous debts.

    ‘As I am, I live upon the rack.’ (Bassanio, 3:2)

    Bassanio is so in love with Portia that until he knows whether he has won her hand in marriage or not, the uncertainty is as painful as torture to him.

    ‘How much I was a braggart.’ (Bassanio, 3:2)

    Once Bassanio has won Portia’s hand in marriage he admits that he pretended he had more wealth than he did and admits that he boasted about something he didn’t have.

    Things others say about them:

    ‘He, of all the men that ever my foolish eyes looked upon, was the best deserving a fair lady. ’(Nerissa, 1:3)

    Nerissa considers him to be superior to the other suitors who have visited Portia so far.

    ‘He bringeth sensible regreets:/To wit, besides commends and courteous breath/ Gifts of rich value.’ (Messenger, 2:9)

    Bassanio has spent some of the money he has borrowed on gifts for Portia and he sends a messenger ahead who behaves politely and charmingly when he announces Bassanio’s arrival at Belmont.

  • Antonio

    Antonio is the Venetian merchant described in the title of the play. He is extremely well liked by most characters apart from Shylock. Although Antonio is inexplicably sad at the start of the play, he is in a relatively secure position. Although he has no readily available cash, he has plenty of ships carrying fortunes at sea. As the play goes on his position becomes increasingly precarious as he has entered into a dangerous deal with Shylock, which nearly costs him his life.

    Facts we learn about Antonio at the start of the play:

    • He is a Christian.
    • His wealth is spread across a number of cargo ships.
    • He is very close friends with Bassanio.
    • He has a passionate dislike for Shylock, a Jewish moneylender.

    Things they say:

    ‘In sooth I know not why I am so sad.’ (Antonio, 1:1)

    Antonio is melancholy at the start of the play but does not know say what the cause of his sadness is.

    ‘My purse, my person, my extremest means/ Lie all unlocked to your occasions.’ (Antonio, 1:1)

    Antonio is prepared to do whatever he can to help his friend Bassanio.

    Things others say about them:

    'You look not well, Signior Antonio’, ‘you are marvellously changed’ (Gratiano, 1:1)

    There has been a marked change in Antonio’s appearance and his friend Gratiano is worried about him.

    ‘You call me misbeliever, cut-throat dog,/ And spit upon my Jewish gaberdine.’ (Shylock 1:3)

    There is a history of animosity between Shylock and Antonio and Antonio has insulted Shylock on account of his religion.

    ‘A kinder gentleman treads not the earth’ (Salarino, 2:8) ‘How true a gentleman’ (Lorenzo, 3:4) ‘The dearest friend to me, the kindest man’ (Bassanio, 3:2)

    Antonio is enormously well respected by a number of Venetian citizens

  • Shylock

    Shylock is a moneylender who lives in Venice. He is Jewish and receives a great deal of abuse for his religion. Shylock lends money to Antonio on the condition that if Antonio cannot pay him back by the appointed time then Shylock will cut away a pound of Antonio’s flesh. As the play progresses, Shylock becomes completely fixated on his ‘bond’ with Antonio and desperate to claim revenge on the merchant, who has treated him badly in the past.

    Facts we learn about Shylock at the start of the play:

    • He is Jewish.
    • He is the father of Jessica.
    • He doesn’t have 3,000 ducats himself, but knows he can borrow them from his friend Tubal.

    Things they say:

    ‘I will feed fat the ancient grudge I bear him.’ (Shylock, 1:3)

    Shylock’s determination to punish Antonio comes from a longstanding hatred between them.

    ‘The villainy you teach me I will execute.’ (Shylock, 3:1)

    Shylock wants people to know that he behaves as a ’villain’ because he has learnt this bad behaviour from the way others have treated him.

    ‘I’ll have my bond, speak not against my bond.’ (Shylock, 3:3)

    Shylock is completely determined to take Antonio’s pound of flesh.

    ‘You take my life/When you do take the means whereby I live.’ (Shylock, 4:1)

    Shylock’s money is so important to him, that without it, he feels life is not worth living.

    Things others say about them:

    'An evil soul.’ (Antonio, 1:3)

    Antonio has a deep seated hatred for Shylock.

    ‘Never did I know/A creature that did bear the shape of man/So keen and greedy to confound a man.’ (Salerio, 3:2)

    Salerio considers Shylock to be less than human (‘a creature’) that is not actually a man, but looks like one.

    ‘The most impenetrable cur/That ever kept with men.’ (Salanio, 3:3)

    Like Antonio and Salerio, Salanio also has an extremely strong dislike for Shylock.

    'A stony adversary, an inhumane wretch,/ Uncapable of pity, void and empty/From any dram of mercy.’ (The Duke, 4:1)

    The Duke is so alarmed by Shylock’s refusal to show pity towards Antonio that, like other Venetians, he considers Shylock to be not to fully human.

  • Nerissa

    Nerissa is Portia’s waiting woman and friend. They have a close relationship and Nerissa both teases and advises her boss. She also assists Portia in helping to get Antonio freed and goes with Portia to Venice, dressed as a lawyer’s clerk. Nerissa falls in love with Bassanio’s friend Gratiano, who asks for her hand in marriage after Bassanio ‘wins’ Portia.

    Facts we learn about Nerissa at the start of the play:

    • She lives in Belmont.
    • She is Portia’s waiting woman.
    • She has been working for Portia since Portia’s father was alive.
    • She has a close friendship with Portia.

    Things they say:

    ‘I’ll see if I can get my husband’s ring,/Which I did make him swear to keep for ever.’ (Nerissa, 4:2)

    Nerissa is determined to test how trustworthy Gratiano is.

    Things others say about them:

    ‘This fair one here.’ (Gratiano, 3:2)

    Gratiano considers Nerissa to be very beautiful.

    'Nerissa teaches me what to believe.’ (Portia, 5:1)

    Portia is influenced by Nerissa’s opinions and advice.

    ‘Good sentences and well pronounced.’ (Portia, 1:2)

    Portia thinks highly of what Nerissa has to say.

  • Jessica

    Jessica is Shylock’s daughter and at the start of the play is living in his house. She is in love with a Christian, Lorenzo. Jessica knows that her father will never give his consent for her to marry a Christian and so she plans to secretly escape one night in order to run away with Lorenzo, marry him and convert from Judaism to Christianity.

    Facts we learn about Jessica at the start of the play:

    • She is Shylock’s daughter.
    • She is Jewish, but determined to convert to Christianity.
    • She is friends with Lancelet, Shylock’s (Christian) servant.

    Things they say:

    ‘What heinous sin it is in me/To be ashamed to be my father’s child’ ‘though I am a daughter to his blood/I am not to his manners.’ (Jessica, 2:3)

    Jessica is humiliated by her father and determined that beyond being related genetically, their characters and personalities values/traditions/cultures? are completely different.

    'I am glad ‘tis night you do not look on me,/For I am much ashamed of my exchange.’ (Jessica, 2:6)

    Jessica is insecure about how Lorenzo will respond to her outward appearance when she is disguised as a man.

    ‘I shall be saved by my husband; he hath made me a Christian.’ (Jessica, 3:5)

    Jessica is aware of her difference from Lorenzo but makes light of it in joking with Lancelet Gobbo.

    Things others say about them:

    ‘Gentle Jessica/I will not fail her.’ (Lorenzo, 2:4)

    Lorenzo is determined to keep his promise to Jessica and will help her to escape from her father’s house.

    ‘Wise, fair and true.’ (Lorenzo, 2:6)

    Lorenzo thinks Jessica is clever, beautiful and honest.

    ‘I fear you’, ‘I think you are damned.’ (Launcelet, 3:4)

    Although Launcelet is immensely fond of Jessica, he thinks says that she will not go to Heaven because she is Jewish. He’s a clown

  • Lorenzo

    Lorenzo is a Venetian and a Christian, who is friends with Bassiano, Gratiano and Antonio. Lorenzo is in love with Jessica, Shylock’s daughter and helps her to escape from her father’s house so that they can run away and marry.

    Facts we learn about Lorenzo at the start of the play:

    • He is a Christian.
    • He is a friend of Bassanio’s.
    • He is in love with Jessica.
    • He dislikes Shylock.

    Things they say:

    ‘I will not fail her.’ (Lorenzo, 2:4)

    Lorenzo is determined to keep his promise to Jessica.

    ‘Not I, but my affairs have made you wait.’ (Lorenzo, 2:6)

    Lorenzo had lots of business to sort out before he escaping Venice with Jessica.

    Things others say about them:

    ‘O Lorenzo, if thou keep promise,/ I shall end this strife,/Become a Christian and thy loving wife.’ (Jessica, 2:3)

    Lorenzo and Jessica have made a secret pact to marry, which also involves Jessica converting to Christianity.

    ‘It is marvel he out-dwells his hour.’ (Gratiano, Act 2, Scene 6)

    He is surprisingly late for important matters!

  • Lancelet Gobbo

    Lancelet is the ‘clown’ of the play and much of the comedy derives from him playing tricks on his father and making silly jokes. He works for Shylock, but passionately dislikes his master and so asks Bassanio if he can work for him instead. When Bassanio agrees, Lancelet accompanies Bassanio to Belmont.

    Facts we learn about Lancelet at the start of the play:

    • He works for Shylock, but would rather not.
    • He really dislikes Shylock.
    • He is friends with Jessica, Shylock’s daughter.
    • He has a blind father called ‘Old Gobbo’.

    Things they say:

    'My consience will serve me to run from this Jew my master.' (Launcelet, 2:2)

    Launcelet is troubled by having Shylock as his master and is keen to leave and work elsewhere.

    'I will try confusions with him.' (Launcelet, 2:2)

    Launcelet enjoys playing tricks on his father.

    Things others say about them:

    ‘I am sorry thou wilt leave my father so.’ (Jessica, 2:3)

    Jessica is very fond of Launcelet and it upsets her when he goes.

    ‘What a wit-snapper are you.’ (Lorenzo, 3:5)

    Launcelet takes any opportunity to make a joke.

  • Gratiano

    Gratiano is a Venetian man who is friends with Bassanio and Antonio. He is renowned for his wild and boisterous behaviour and heavily insults Shylock at the start of the play. Gratiano accompanies Bassanio to Belmont and falls in love with Nerissa, Portia’s waiting woman.

    Facts we learn about Gratiano at the start of the play:

    • He lives in Venice.
    • He is friends with Bassanio and Antonio.
    • He is known for his wild behaviour.
    • He falls in love with Nerissa.

    Things they say:

    ‘Let me play the fool.’ (Gratiano, 1:1)

    Gratiano enjoys being the person who cheers others up.

    ‘I’ll fear no other thing/So sore as keeping safe Nerissa’s ring.’ (Gratiano, 5:1)

    At the end of the play Gratiano is determined to prove his loyalty to Nerissa, and is afraid of what she’ll do if he loses her ring.

    Things others say about them:

    ‘Gratiano speaks an infinite deal of nothing.’ (Bassanio, 1:1_

    Bassanio thinks that Gratiano speaks an awful lot of rubbish.

    ‘Thou art too wild, too rude and bold of voice.’ (Bassanio, 2:2)

    Bassanio considers Gratiano’s behaviour to be too outlandish and unpredictable to take him to Belmont.

  • Tubal

    Tubal is a wealthy Jewish friend of Shylock’s. Shylock doesn’t have enough money himself to lend to Antonio, so he borrows the funds from Tubal. When Jessica, Shylock’s daughter, goes missing, Tubal goes in search of her in order to help his friend.

    Facts we learn about Tubal at the start of the play:

    • He is Jewish.
    • He is wealthy.
    • He is friends with Shylock.

    Things they say:

    'I often came where I did hear of her, but cannot find her.' (Tubal, 3:1)

    Tubal has worked hard trying to find Jessica for Shylock, but has not had any luck.

    'I spoke with some of the sailors that escaped the wreck.' (Tubal, 3:1)

    Tubal has been trying to find out what is happening to Antonio's ships.

    Things others say about them:

    'Tubal, a wealthy Hebrew of my tribe,/ Will furnish me.' (Shylock, 1:3)

    Shylock and Tubal's friendship must be close enough that Shylock knows Tubal will help him out, even before asking him to do so.

    'Here comes another of the tribe.' (Solanio, 3:1)

    Solanio sees Tubal and Shylock as part of the same group and one that is separate and different from him.

Explore their relationships

Portia

  • Portia - Bassanio

    At the start of the play we learn that Portia and Bassanio have met before and that they like each other. Bassanio tells Antonio that he wants to go to Belmont to woo the ‘fair’ Portia and that ‘sometimes from her eyes’ he received ‘fair speechless messages’ (1:1). In Belmont, Portia tells Nerissa that she remembers meeting Bassanio and that he was ‘worthy’ of ‘praise’ (1:2).

    When Bassanio goes to Belmont their relationship strengthens and Portia admits that she wants Bassanio to ‘tarry’ before he chooses the caskets as she’s scared that ‘in choosing wrong’ she’ll lose Bassanio’s company. (3:2)

    Both Bassanio and Portia are overjoyed when Bassanio chooses the correct casket and wins Portia’s hand in marriage. They kiss and Portia declares ‘myself, and what is mine’ now belongs to Bassanio (3.2) She also gives him a ring as a symbol of her love, which Bassanio promises he’ll not part with until his death.

    Some tension erupts between them when Portia ‘discovers’ that Bassanio gave the ring away and she tells him off for parting with it. Bassanio begs her to forgive him and ‘pardon this fault’ (5:1).

    Portia forgives Bassanio and gives him the ring again, making him swear that he’ll ‘keep it better than the other’ (5:1).

  • Portia - Nerissa

    Although Portia is Nerissa’s boss, the ladies are evidently close friends, who enjoy joking about Portia’s suitors. Nerissa is not afraid to tease Portia about the way she complains, even though she has an ‘abundance’ of ‘good fortunes’ (1:2).

    Portia and Nerissa become even closer when they are united in their plan to help Antonio by going to Venice dressed as male lawyers.

  • Portia - Antonio

    Antonio is most in debt to Portia towards the end of the play as she is the one who manages to stop Shylock from claiming the pound of flesh and so saves his life in 4:1. Although Antonio thinks he is talking to a male lawyer called ‘Balthasar’ (Portia in disguise) Antonio says that he stands ‘indebted, over and above,/In love and service to you evermore.’

    Portia makes it clear that she doesn’t want any actual payment for saving Antonio’s life and so the debt is effectively ‘cleared’. She says to Antonio in 4:1, ‘He is well paid that is well satisfied,/And I delivering you, am satisfied,/And therein do account myself well paid.’

Bassanio

  • Bassanio - Portia

    At the start of the play we learn that Portia and Bassanio have met before and that they like each other. Bassanio tells Antonio that he wants to go to Belmont to woo the ‘fair’ Portia and that ‘sometimes from her eyes’ he received ‘fair speechless messages’ (1:1). In Belmont, Portia tells Nerissa that she remembers meeting Bassanio and that he was ‘worthy’ of ‘praise’ (1:2).

    When Bassanio goes to Belmont their relationship strengthens and Portia admits that she wants Bassanio to ‘tarry’ before he chooses the caskets as she’s scared that ‘in choosing wrong’ she’ll lose Bassanio’s company. (3:2)

    Both Bassanio and Portia are overjoyed when Bassanio chooses the correct casket and wins Portia’s hand in marriage. They kiss and Portia declares ‘myself, and what is mine’ now belongs to Bassanio (3.2) She also gives him a ring as a symbol of her love, which Bassanio promises he’ll not part with until his death.

    Some tension erupts between them when Portia ‘discovers’ that Bassanio gave the ring away and she tells him off for parting with it. Bassanio begs her to forgive him and ‘pardon this fault’ (5:1).

    Portia forgives Bassanio and gives him the ring again, making him swear that he’ll ‘keep it better than the other’ (5:1).

  • Bassanio - Antonio

    Antonio and Bassanio have a very strong relationship in Act 1 and we can infer that they have been friends for a long time as Bassanio says that he already owes Antonio ‘the most in money and in love’ (1:1). When Bassanio asks Antonio for support, Antonio assures him that ‘my purse, my person, my extremest means/ Lie all unlocked’ to him’ (1:1).

    Bassanio and Antonio remain very close as Act 1 progresses, however they begin to have differing opinions when the issue of Shylock’s bond emerges. When Antonio asks Shylock for money (to lend to Bassanio) and Shylock insists that Antonio must give him a pound of his flesh if he can’t repay the sum on time, Bassanio urges Antonio not to sign: ‘You shall not seal to such a bond from me’ (1:3). Antonio is happy to commit to the bond for his friend, however Bassanio is much more uncertain.

    Some distance grows between Antonio and Bassanio as Bassanio leaves Venice and his friend in order to go to Belmont and woo Portia. However, when Bassanio receives a letter detailing Antonio’s lost ships, he is full of concern and explains to Portia that Antonio is his ‘dearest friend’ (3:2). Antonio’s letter reveals that he is not sure whether his friend will come to visit him or not, as he writes ‘use your pleasure’ (3.2) suggesting that Bassanio does whatever he wants to do.

    In Act 4 we see Bassanio and Antonio’s relationship restored. In the court room, when Antonio is about to face death, Bassanio does all that he can to try and dissuade Shylock from claiming the pound of flesh.

    Bassanio and Antonio are very close once more when we reach the end of the play. We see just how much influence Antonio has over his close friend when, after Antonio has been saved, Portia (as ‘Balthasar’) asks for Bassanio’s ring. Bassanio refuses when she asks for it, however when Antonio asks Bassanio to give it over, Bassanio does so.

  • Bassanio - Gratiano

    Bassanio and Gratiano are good friends, but Bassanio is the one in control of the relationship. Gratiano needs to ask Bassanio’s permission to go to Belmont and Bassanio only agrees on the condition that Gratiano behaves himself!

    Bassanio and Gratiano become closer when Bassanio agrees to Gratiano’s request to ask Nerissa, Portia’s waiting woman, for her hand in marriage. Bassanio agrees to the match ‘with all [his] heart’ (3:2).

Antonio

  • Antonio - Bassanio

    Antonio and Bassanio have a very strong relationship in Act 1 and we can infer that they have been friends for a long time as Bassanio says that he already owes Antonio ‘the most in money and in love’ (1:1). When Bassanio asks Antonio for support, Antonio assures him that ‘my purse, my person, my extremest means/ Lie all unlocked’ to him’ (1:1).

    Bassanio and Antonio remain very close as Act 1 progresses, however they begin to have differing opinions when the issue of Shylock’s bond emerges. When Antonio asks Shylock for money (to lend to Bassanio) and Shylock insists that Antonio must give him a pound of his flesh if he can’t repay the sum on time, Bassanio urges Antonio not to sign: ‘You shall not seal to such a bond from me’ (1:3). Antonio is happy to commit to the bond for his friend, however Bassanio is much more uncertain.

    Some distance grows between Antonio and Bassanio as Bassanio leaves Venice and his friend in order to go to Belmont and woo Portia. However, when Bassanio receives a letter detailing Antonio’s lost ships, he is full of concern and explains to Portia that Antonio is his ‘dearest friend’ (3:2). Antonio’s letter reveals that he is not sure whether his friend will come to visit him or not, as he writes ‘use your pleasure’ (3.2) suggesting that Bassanio does whatever he wants to do.

    In Act 4 we see Bassanio and Antonio’s relationship restored. In the court room, when Antonio is about to face death, Bassanio does all that he can to try and dissuade Shylock from claiming the pound of flesh.

    Bassanio and Antonio are very close once more when we reach the end of the play. We see just how much influence Antonio has over his close friend when, after Antonio has been saved, Portia (as ‘Balthasar’) asks for Bassanio’s ring. Bassanio refuses when she asks for it, however when Antonio asks Bassanio to give it over, Bassanio does so.

  • Antonio - Shylock

    In Act 1, Antonio becomes bound to Shylock as he is going to borrow ‘three thousand ducats for three months’ (1:3) from the Jewish moneylender. If he fails to pay the money, Antonio will owe Shylock a pound of his own flesh. At this stage, Antonio is confident that he will be able to pay the money back on time as ‘within these two months’ (1:3) he expects his ships to return with ‘thrice three times the value of this bond’ (1:3).

    The intensity of the danger of the debt between Antonio and Shylock increases when we hear that Antonio’s ships have been lost at sea and so ‘all his ventures failed’ (3.2), destroying his ability to pay the money back on time.

    In the Venetian Court both the Duke and ‘Balthasar’ admit that Shylock’s bond was entirely legal and therefore Shylock is entitled to take the pound of flesh from Antonio: ‘lawfully by this the Jew may claim/ A pound of flesh’ (4.1).

    The debt between Shylock and Antonio is eliminated when Portia (disguised as a male lawyer) points out that ‘this bond’ does not mention a ‘jot of blood’ (4.1) and so Shylock realises it will be impossible for him to claim the flesh as there’s no way of cutting it off without causing Antonio to bleed.

    The tables turn at the end of Act 4 Scene 1 when Shylock owes money to Antonio. As Shylock attempted to kill Antonio, his punishment is that he must hand over half of his wealth to Antonio and half to the Venetian state.

  • Antonio - Portia

    Antonio is most in debt to Portia towards the end of the play as she is the one who manages to stop Shylock from claiming the pound of flesh and so saves his life in 4:1. Although Antonio thinks he is talking to a male lawyer called ‘Balthasar’ (Portia in disguise) Antonio says that he stands ‘indebted, over and above,/In love and service to you evermore.’

    Portia makes it clear that she doesn’t want any actual payment for saving Antonio’s life and so the debt is effectively ‘cleared’. She says to Antonio in 4:1, ‘He is well paid that is well satisfied,/And I delivering you, am satisfied,/And therein do account myself well paid.’

Shylock

  • Shylock - Tubal

    Shylock and Tubal clearly have a close relationship at the start of the play as Shylock is sure that he can borrow money from Tubal, even without having to ask him first. ‘Tubal, a wealthy Hebrew of my tribe/Will furnish me’ (1:3)

    Shylock and Tubal’s relationship is evidently very strong in Act 3, as Tubal has been looking for Shylock’s daughter Jessica in order to help his friend. Tubal has also been talking to sailors to find out what happened to Antonio’s ships in order to be able to report the news back to Shylock.

  • Shylock - Antonio

    In Act 1, Antonio becomes bound to Shylock as he is going to borrow ‘three thousand ducats for three months’ (1:3) from the Jewish moneylender. If he fails to pay the money, Antonio will owe Shylock a pound of his own flesh. At this stage, Antonio is confident that he will be able to pay the money back on time as ‘within these two months’ (1:3) he expects his ships to return with ‘thrice three times the value of this bond’ (1:3).

    The intensity of the danger of the debt between Antonio and Shylock increases when we hear that Antonio’s ships have been lost at sea and so ‘all his ventures failed’ (3.2), destroying his ability to pay the money back on time.

    In the Venetian Court both the Duke and ‘Balthasar’ admit that Shylock’s bond was entirely legal and therefore Shylock is entitled to take the pound of flesh from Antonio: ‘lawfully by this the Jew may claim/ A pound of flesh’ (4.1).

    The debt between Shylock and Antonio is eliminated when Portia (disguised as a male lawyer) points out that ‘this bond’ does not mention a ‘jot of blood’ (4.1) and so Shylock realises it will be impossible for him to claim the flesh as there’s no way of cutting it off without causing Antonio to bleed.

    The tables turn at the end of Act 4 Scene 1 when Shylock owes money to Antonio. As Shylock attempted to kill Antonio, his punishment is that he must hand over half of his wealth to Antonio and half to the Venetian state.

  • Shylock - Lancelet

  • Shylock - Jessica

Nerissa

  • Nerissa - Gratiano

    Although we don’t know what Nerissa feels about Gratiano early on, it’s clear that Gratiano is very keen to visit her. In fact he is so keen to go to Belmont that he promises to Bassanio that he will behave gracefully and ‘talk with respect’ (2:2) when Bassanio threatens to leave him in Venice on account of his usually ‘wild’ and ‘rude’ behaviour (2:2).

    Gratiano and Nerissa’s love for each other is revealed to be strong and mutual when Gratiano asks Bassanio for his permission to marry as he ‘beheld the maid’ of Bassanio’s mistress and fell for her. Nerissa admits that it is ‘true’ that she loves Gratiano (3:2).

    There are cracks in the relationship when Gratiano and Nerissa ‘quarrel’ over the ring that Nerissa gave him and he lost. Gratiano exclaims to her ‘I swear you do me wrong’ and tries to get Nerissa to understand why he gave the ring away (5:1).

    By the end of the play they are close once more as Nerissa has forgiven Gratiano for giving the ring away. She gives the ring back to him again as a symbol of theim being reunited, but Gratiano admits that he’ll ‘fear no other thing/So sore as keeping safe Nerissa’s ring’ (5.1), thinking the consequences of losing it might be much harsher next time!

  • Nerissa - Portia

    Although Portia is Nerissa’s boss, the ladies are evidently close friends, who enjoy joking about Portia’s suitors. Nerissa is not afraid to tease Portia about the way she complains, even though she has an ‘abundance’ of ‘good fortunes’ (1:2).

    Portia and Nerissa become even closer when they are united in their plan to help Antonio by going to Venice dressed as male lawyers.

Jessica

  • Jessica - Lorenzo

    When we meet Jessica it’s clear that she’s desperately in love with Lorenzo, but that she’s not completely sure that he’ll keep his promise and help her escape her father’s house. In a private moment in 2:3 she says ‘O Lorenzo/ If thou keep promise’, the if suggesting that she’s not totally certain he will, but she wants to be his ‘loving wife’.

    Lorenzo is evidently just as passionate about Jessica as she is about him as he asks Laucelet to deliver the message that he ‘will not fail her’ (2:4) and enlists his friends to help him enable her to escape from Shylock’s house so that they can run away together.

    Jessica and Lorenzo’s love grows stronger and stronger. After he helps her to escape and run away from Shylock, they go to Belmont where they compare themselves to classical lovers such as ‘Thisbe’, ‘Dido’ and ‘Medea’ as well as swearing their love for each other (5:1). These are all tragic references though which leaves a sense all may not end well.

  • Jessica - Lancelet

  • Jessica - Shylock

Lorenzo

  • Lorenzo - Jessica

    When we meet Jessica it’s clear that she’s desperately in love with Lorenzo, but that she’s not completely sure that he’ll keep his promise and help her escape her father’s house. In a private moment in 2:3 she says ‘O Lorenzo/ If thou keep promise’, the if suggesting that she’s not totally certain he will, but she wants to be his ‘loving wife’.

    Lorenzo is evidently just as passionate about Jessica as she is about him as he asks Laucelet to deliver the message that he ‘will not fail her’ (2:4) and enlists his friends to help him enable her to escape from Shylock’s house so that they can run away together.

    Jessica and Lorenzo’s love grows stronger and stronger. After he helps her to escape and run away from Shylock, they go to Belmont where they compare themselves to classical lovers such as ‘Thisbe’, ‘Dido’ and ‘Medea’ as well as swearing their love for each other (5:1). These are all tragic references though which leaves a sense all may not end well.

Lancelet Gobbo

  • Lancelet - Jessica

  • Lancelet - Shylock

Gratiano

  • Gratiano - Nerissa

    Although we don’t know what Nerissa feels about Gratiano early on, it’s clear that Gratiano is very keen to visit her. In fact he is so keen to go to Belmont that he promises to Bassanio that he will behave gracefully and ‘talk with respect’ (2:2) when Bassanio threatens to leave him in Venice on account of his usually ‘wild’ and ‘rude’ behaviour (2:2).

    Gratiano and Nerissa’s love for each other is revealed to be strong and mutual when Gratiano asks Bassanio for his permission to marry as he ‘beheld the maid’ of Bassanio’s mistress and fell for her. Nerissa admits that it is ‘true’ that she loves Gratiano (3:2).

    There are cracks in the relationship when Gratiano and Nerissa ‘quarrel’ over the ring that Nerissa gave him and he lost. Gratiano exclaims to her ‘I swear you do me wrong’ and tries to get Nerissa to understand why he gave the ring away (5:1).

    By the end of the play they are close once more as Nerissa has forgiven Gratiano for giving the ring away. She gives the ring back to him again as a symbol of theim being reunited, but Gratiano admits that he’ll ‘fear no other thing/So sore as keeping safe Nerissa’s ring’ (5.1), thinking the consequences of losing it might be much harsher next time!

  • Gratiano - Bassanio

    Bassanio and Gratiano are good friends, but Bassanio is the one in control of the relationship. Gratiano needs to ask Bassanio’s permission to go to Belmont and Bassanio only agrees on the condition that Gratiano behaves himself!

    Bassanio and Gratiano become closer when Bassanio agrees to Gratiano’s request to ask Nerissa, Portia’s waiting woman, for her hand in marriage. Bassanio agrees to the match ‘with all [his] heart’ (3:2).

Tubal

  • Tubal - Shylock

    Shylock and Tubal clearly have a close relationship at the start of the play as Shylock is sure that he can borrow money from Tubal, even without having to ask him first. ‘Tubal, a wealthy Hebrew of my tribe/Will furnish me’ (1:3)

    Shylock and Tubal’s relationship is evidently very strong in Act 3, as Tubal has been looking for Shylock’s daughter Jessica in order to help his friend. Tubal has also been talking to sailors to find out what happened to Antonio’s ships in order to be able to report the news back to Shylock.

Teacher Notes

On this page students can arrange the characters on the screen, showing the connections between the characters and their relationships. They can then print this using the button on the page and label them with their own quotes.

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